For years, I’ve been using two Canon digital single-lens reflex (DSLR) cameras to take photos for “Woods, Waters, and Wildlife.” The twin bodies and assorted lenses produce exceptional photos, but they have a drawback: The equipment is heavy.
Like most wildlife photographers of the early 20th century — though there were only a handful — Karl Maslowski was a hunter before he became a photographer.
The answer to his problem, he believed, was acquiring one of those newfangled 16mm movie cameras he had been hearing so much about. “But they were just too expensive, and our family was dirt poor,” Maslowski remembered. Fate, however, sometimes has a way of intervening in such situations.
I’ve lived in Ohio all my life, spent tons of time in the outdoors, and have never encountered a black bear in the wild in the Buckeye State. That’s not to say they’re not here, of course.
Predictably unpredictable, black bears are not the bumbling oafs or cuddly teddy bears they are portrayed to be on some television nature programs. No matter where they live, by nature a bear is still a bear, and they are much stronger, smarter, and more adaptive than most people realize. They are also fast, able to run 30 miles per hour for a short distance (the best an Olympic sprinter can do is in the low 20s). It is the wise wildlife photographer who gives bears a wide berth.
One of America’s leading naturalists of the 19th century was the prolific Louis Agassiz (1807–1873), who, while teaching at Harvard, taught his students the skill of in-depth observation of natural objects. He did it by what his students termed “the incident of the fish.”
The same approach can be used to learn outdoor photography. Not that you have to stare at the same photo subject for hours on end, but developing the ability to “see” the details of photos before you attempt to take them is a crucial skill — yet one that anyone can learn.
One of Ohio’s best outdoor photographers is Art Weber, founding director of the Nature Photography Center for Metroparks Toledo. He says there’s a difference between looking at the natural world as an artist and as a photographer.
When I was a kid, my mother couldn’t keep me indoors. I was constantly roaming the woods and fields near our home, dragging back sick and injured wildlife — probably to the animal’s detriment. But the day Mom drew the line (“No more critters!”) was the day she saw me coming down the road with a live great blue heron under my arm. The 4-foot bird with the dagger-like beak was nearly as tall as I was.
Some of the best birding in all of North America takes place in the marshes, seasonal wetlands, and swamp forests bordering western Lake Erie. At the heart of that region sits Ottawa National Wildlife Refuge (ONWR), home to everything from huge trumpeter swans with 8-foot wingspans to tiny, colorful wood warblers weighing mere ounces.
