Like most wildlife photographers of the early 20th century — though there were only a handful — Karl Maslowski was a hunter before he became a photographer.
The answer to his problem, he believed, was acquiring one of those newfangled 16mm movie cameras he had been hearing so much about. “But they were just too expensive, and our family was dirt poor,” Maslowski remembered. Fate, however, sometimes has a way of intervening in such situations.